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BRING ME A ROCK!

Beautifully executed art, expressive bugs, and spare but pointed—arguably Marxist—text create a tale for all ages.

The smallest bug’s contribution to the demands of the grasshopper king is at first spurned, but the little bug eventually prevails in more ways than one.

The initial double-page spread consists of a bright yellow wash of sky, translucent layers of green plants, and a foreground of brown dirt dappled with sunlight. On the left, atop a single small stone, sits a green-and-orange grasshopper, his head topped by a crown. In bold, capital letters, he commands a cluster of bug subjects: “BRING ME A ROCK!” The grasshopper soon makes it clear that he “will have a majestic pedestal fit for a king.” The king shows his sense of entitlement as each peon bug struggles to add a rock to the pile being created for his majesty. Each insect is rendered with an eye for varietal accuracy, yet each also sports a delightful spark of anthropomorphism. Humor and artistry combine, especially in an aerial view of the king atop his new throne, sipping a paper-umbrella–adorned drink—before his tower begins to topple. After the littlest bug manages to save the king with a pebble, the king asks how he can repay this now-invaluable subject. The little bug’s cleverness literally elevates the status of all the workers to that of the king.

Beautifully executed art, expressive bugs, and spare but pointed—arguably Marxist—text create a tale for all ages. (Picture book. 3-8)

Pub Date: June 7, 2016

ISBN: 978-1-4814-4602-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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