by Daniel Nayeri ‧ RELEASE DATE: Oct. 1, 2011
Four novellas representing four narrative styles ponder questions of humanity, technology, wishes and love.
The stand-alone novellas riff, dizzyingly and delightfully, on influences as varied as The Wizard of Oz and westerns, Mad Max and slang-laden teen diaries, The Arabian Nights and police procedurals, "Sleeping Beauty" and the sardonic Death of Terry Pratchett’s Discworld. In “Toy Farm,” toys grown from the earth wonder, as they fight for their lives: What’s the difference between consciousness and humanity? “Wish Police” pulls back the curtain on the secret world of wishes—their varying degrees of strength, worthiness and consequences—as a lonely, world-weary djinn sworn to protect and serve works to prevent deadly wishes from coming true. As its punny title suggests, “Doom With a View” is a sweeping love story, complete with impossibly attractive protagonists, heroic feats of derring-do and a charming narrator in Death himself. Strong and assured, these stories seamlessly merge different styles, teasing out and playing with readers’ assumptions about how westerns, fantasy and fairy tales work. Less successful is the second novella, “Our Lady of Villains,” a giggling teen diary set in a paranoia-inducing, technology-saturated post-apocalyptic future. The voice is too lightweight to carry the thematic load, but this lone misstep is not nearly enough to ruin the delightful effect of the collection as a whole.
Overall, provocative and deeply satisfying. (Novellas. 14 & up)
Pub Date: Oct. 1, 2011
ISBN: 978-0-7636-5526-6
Page Count: 416
Publisher: Candlewick
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Daniel Nayeri ; illustrated by Matt Rockefeller
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by Daniel Nayeri ; illustrated by Daniel Miyares
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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