by Daniel Pinkwater ‧ RELEASE DATE: Nov. 21, 1991
Funnyman Pinkwater has written ``about 50'' children's books and illustrated most of them. For the past few years he's been doing short, laid-back spots on NPR. This book, sprung from the radio pieces, ``turns out,'' he says, ``to be a fragmentary autobiography.'' Just don't expect the kind of facts you'd get from Current Biography; Pinkwater has more interest in relating anecdotes, or just observing through his own bemused eyes. And so, in mostly one- to three-page bits suitable for reading in the bathroom, Pinkwater muses on or recollects some odd and ordinary moments from his Chicago childhood and later Zen-like art training there, his ``instructional malnutrition'' as a college art-student, his other spells and travels here and there, and his 12 years in Hoboken, ``my spiritual home for the rest of my life''—a ``quaint'' community preoccupied with crime and politics, ``which sometimes overlap,'' and inhabited by ``da-salt-u-da-eart, with some of the highest-grade eccentrics and loonies mixed in.'' Today he lives in an old farmhouse in upstate New York, where he is getting to know the crows, even though ``the guy who owned this little farm before we did had one of those psychoses in which the idea of being in America and killing everything living in the area are mixed in together.'' The book is all small stuff: An entry from recent years tells of his panic on hearing a slow-talking radio guy announce an upcoming concert of music by ``Daniel...Pink...ham.'' In the end, you might not know what Pinkwater's father actually did for a living...or how he met his wife...or much about his writing. But you might feel fond of this wiggy talent who has at least kept you smiling. And Pinkwater fans can have the fun of recognizing germs of his fiction here and there.
Pub Date: Nov. 21, 1991
ISBN: 0-201-52359-0
Page Count: 175
Publisher: Addison-Wesley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
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by Daniel Pinkwater ; illustrated by Aaron Renier
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by Daniel Pinkwater ; illustrated by Aaron Renier
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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