The show’s over, ending with not much of an aftermath except ashes and regret.
In a pressure cooker of a city, three middle-aged survivors survey the wreckage of their adult lives.
Hallucinatory perception, the ephemeral nature of memory, and the intransience of art all come into play in this triptych of confessions from deepest Mexico. Here, Saldaña París leans less on the tragicomedy of the human condition to craft something a little darker and meaner about damaged people turning their hurt inward. The opener, “The Great Noise,” is narrated by Natalia, a disaffected and unhappy choreographer who often falls back on cruelty. She’s back home in Cuernavaca, barely tolerating her lover, Martín Argoitia, an aging art star-turned-bureaucrat. She’s become obsessed with an artistic vision that encompasses, among other things, the British occultist Aleister Crowley, hysterical Swedish witch trials, the pioneering German dancer Mary Wigman, and medieval incidents involving a “dancing plague,” all of which she intends to transform into a groundbreaking performance. The pinball of her teenage relationships is explored in subsequent sections with darker and darker undertones. In “A Clear-Cut Vision,” we experience many kinds of suffering via Erre, a failed filmmaker and Natalia’s high school boyfriend, who has returned in the wake of his divorce, suffering from debilitating nerve pain. He’s a cheerful lot, logging his symptoms in a notebook and haunting Cuernavaca’s desiccated parks, now under threat from encroaching wildfires. Erre’s passage ends before Natalia’s performance, but the final section, “Bioluminescent Beach,” visits their childhood friend Conejo, who divides his time between caring for his blind father and retreating further from the world. What exactly happens during Natalia’s performance is a mystery, but weeks later, Conejo describes a country just now recovering from a mass dancing outbreak. It doesn’t make all that much sense but it’s dark as a bad dream and—let’s face it—its slippery nature is certainly part of the point.
The show’s over, ending with not much of an aftermath except ashes and regret.Pub Date: July 29, 2025
ISBN: 9781646222452
Page Count: 256
Publisher: Catapult
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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