by Daniel Stefanski & illustrated by Hazel Mitchell ‧ RELEASE DATE: April 1, 2011
In his first work, Stefanski provides clear, sometimes blunt, often humorous advice for readers on how to interact with autistic classmates. An authority on this topic—he is a 14-year-old boy with autism—he begins by describing autism. Importantly, he gives recognition to the fact that autistic people are a varied group, just like those without autism. “Autism is a disorder that affects how my brain works. (Yes, it does work!)” He describes, using a brief paragraph or two per page, some of the traits many autistic people share: a sensitivity to some kinds of sensory input, a failure to recognize social cues (body language), “getting stuck” on a particular topic, standing too close to others, unusual habits, conversational difficulties, etc. For each trait, he offers down-to-earth suggestions for resolving problems: “Excuse me. Could you step back just a bit? I need a little more space.” His insightful, matter-of-fact presentation demystifies behaviors that might confuse or disturb non-autistic classmates. Simple cartoon illustrations in black, gray and two shades of turquoise accompany the text, making it accessible for an even younger listening audience than the older primary/middle-school students it describes. It's a thought-provoking introduction to autism that should be welcome in families with autistic members and an essential purchase for every primary and middle-school classroom. (Nonfiction. 7 & up)
Pub Date: April 1, 2011
ISBN: 978-1-57542-365-4
Page Count: 48
Publisher: Free Spirit Publishing
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
Share your opinion of this book
by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Share your opinion of this book
More by Thomas King
BOOK REVIEW
by Thomas King ; illustrated by Yong Ling Kang
BOOK REVIEW
by Thomas King ; illustrated by Natasha Donovan
BOOK REVIEW
by Thomas King and illustrated by Gary Clement
by Natalie Labarre ; illustrated by Natalie Labarre ‧ RELEASE DATE: April 14, 2020
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book....
From funeral clown to cheese sculptor, a tally of atypical trades.
This free-wheeling survey, framed as a visit to “The Great Hall of Jobs,” is designed to shake readers loose from simplistic notions of the world of work. Labarre opens with a generic sculpture gallery of, as she puts it, “The Classics”—doctor, dancer, farmer, athlete, chef, and the like—but quickly moves on, arranging busy cartoon figures by the dozen in kaleidoscopic arrays, with pithy captions describing each occupation. As changes of pace she also tucks in occasional challenges to match select workers (Las Vegas wedding minister, “ethical” hacker, motion-capture actor) with their distinctive tools or outfits. The actual chances of becoming, say, the queen’s warden of the swans or a professional mattress jumper, not to mention the nitty-gritty of physical or academic qualifications, income levels, and career paths, are left largely unspecified…but along with noting that new jobs are being invented all the time (as, in the illustration, museum workers wheel in a “vlogger” statue), the author closes with the perennial insight that it’s essential to love what you do and the millennial one that there’s nothing wrong with repeatedly switching horses midstream. The many adult figures and the gaggle of children (one in a wheelchair) visiting the “Hall” are diverse of feature, sex, and skin color.
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book. 7-9)Pub Date: April 14, 2020
ISBN: 978-1-5362-1219-8
Page Count: 48
Publisher: Nosy Crow
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.