A wispy, sentimental story about a blind princess in Peking and a tattered old man who, employing the "seeing stick" on which he carves the elements of his stories and her environment, teaches her to see with the "eyes" on her fingertips. But however dormant her inner eye, which is presumably what's awakened here, it's surprising that, despite the efforts of contenders for "hundreds of miles around," . . . "it was the first time the princess had touched another person's face since she was a very small girl"—and even more surprising that she had to be taught to "see" with her fingers. Charlip and Maralis' shimmering pencil drawings consist chiefly of an odd, upright asparagus shape which represents both kingdom and stick and is usually featured in combination with hands, the other dominant motif. The pictures are spare and diaphanous, like the text, but so singular in their imagery as to freight the story with suggestion—without offsetting its fragility.
Pub Date: Sept. 14, 1977
ISBN: 0762420480
Page Count: 34
Publisher: T.Y. Crowell
Review Posted Online: May 12, 2012
Kirkus Reviews Issue: Sept. 1, 1977
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The glowing friendship of Frog and Toad continues, with Frog as the wiser, supportive partner easing Toad through his small frustrations and uncertainties. Frog plays the sympathetic sounding board while Toad convinces himself to clean house today and take it easy tomorrow instead of the other way round; he encourages Toad through a fourth and finally successful try at kite flying despite the robins' ridicule; he scares himself and Toad with a shivery ghost story that might or might not have happened to him; and, less admirably perhaps, he shrinks Toad's too-big birthday hat with water while leading his friend to believe that Toad's own big thoughts have enlarged his head. Once more, Lobel leaves the two with their friendship reaffirmed, this time after Toad misinterprets his friend's desire to be alone for a while. As in Frog and Toad All Year (1976) the relationship has settled into a comfortable, conflict-free pattern; but the complementary pair continues to delight and vulnerable Toad to invite sympathetic recognition.
Pub Date: Oct. 3, 1979
ISBN: 081243417X
Page Count: -
Publisher: Harper & Row
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Oct. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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