THE RULES OF FORTUNE

A Black billionaire’s unexpected death leads his daughter on a quest to uncover ugly truths about his past.

Prescod made her literary debut with the memoir Token Black Girl (2022), about how growing up Black in a mostly white community in Connecticut led to depression, an estrangement from Black culture, and a serious eating disorder. A veteran of the fashion and beauty industries, she offers a unique perspective on both Black and white spaces, and her first novel reflects some of this hard-earned knowledge. Meet the Carter family: There’s patriarch William Carter, Jr., who rose from humble beginnings to become a self-made billionaire; his wife, Jacqueline, a former actress who chose a comfortable role as a wife and mother over the grind of the spotlight; loyal son Asher, who’s quietly flunking out of Harvard Business School; and daughter Kennedy, an aspiring filmmaker. The Carters are preparing to gather at their massive Martha’s Vineyard estate to celebrate William’s 70th birthday, and Kennedy has been working on a video about her father to be shown at the party. But self-made men often harbor secrets, and when William dies unexpectedly before the event can get underway, an uneasy Kennedy finds herself taking a closer look at her father’s past. She’s unable to stop chasing truths better left hidden, especially about William’s relationship with a mysterious friend called Kofi and their tangled ties to a development in Ghana. The setup is promising and story intriguing; readers will find themselves invested in how the Carters weather the storm of revelations. But Prescod spends too much time telling, not showing. Cliches worm their way into the story—at least two Carters vomit because they’re upset, for example—and the character development never reaches deeper than surface level.

An intriguing story about wealth and power undermined by lack of character development.