by Danny Parker ; illustrated by Matt Ottley ‧ RELEASE DATE: March 11, 2016
The very air around Toby seems to vibrate, and it's a great relief when he leaves the parachute behind; readers know...
A young boy learns to let go of the object that makes him feel safest in a picture book that effectively skews perspective to great effect (and great heights).
Wild-haired, fair-skinned, barefoot Toby wears an orange parachute pack all the time, whether he's climbing down from his enormously tall bunk bed or braving a huge elephant at the zoo. As with a security blanket, Toby's parachute isn't just a survival mechanism in case of a calamitous fall, but a catchall object to fight everyday fears. It's only when Toby has to put the parachute to use to save his cat that he begins to learn to work through scary situations alone. The text is effectively sparse, letting airy digital illustrations work their magic, turning Toby's fears into stretched, depth-filled fantasies of a bed above the clouds and an untethered treehouse floating toward space. An effective mix of variously proportioned panels and double-page spreads, the images are a delight of tension, as thrilling as they are scary when considered from Toby's point of view. If the message, of leaving a childhood object behind to grow up, is unremarkable, the words and pictures still work wonders, giving the child's panic emotional weight and visual flair at the same time.
The very air around Toby seems to vibrate, and it's a great relief when he leaves the parachute behind; readers know there'll be plenty more adventures without it. (Picture book. 4-8)Pub Date: March 11, 2016
ISBN: 978-0-8028-5469-8
Page Count: 32
Publisher: Eerdmans
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by Danny Parker ; illustrated by Freya Blackwood
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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