by Danya Kukafka ‧ RELEASE DATE: Aug. 1, 2017
This 24-year-old writer needs to rein in the prose and crank up the plot. We’ll be watching.
When lovely 15-year-old Lucinda Hayes is murdered on a playground in a placid Colorado town, the prime suspect is one of her classmates.
The first of three narrators in Kukafka's debut is the perhaps mentally ill ninth-grader Cameron Whitley. Utterly obsessed with Lucinda, for years he has spent all his time stalking her, drawing her, and thinking about her. He saw her the night of her death, and now he somehow has her purple suede diary, which he puts in his closet along with his Collection of the Pencil Bodies, his Collection of People Who Did Terrible Things, and others. “The only one hidden in his head was the Collection of Statue Nights”—his peeping-Tom forays—“this was his favorite Collection, because it was full of Lucinda.” Well, we readers weren’t born yesterday, so clearly it’s not him. The second narrative perspective belongs to another classmate, Jade, who hates Lucinda for all the reasons any overweight, unhappy, smart teen with an abusive drunk for a mother would hate the most popular girl in school and her Norman Rockwell family. Hopefully that voodoo ritual she performed didn’t actually work. Third narrator: a cop named Russ, who is obsessed with Cameron’s dad, his former partner, not around anymore for some ominous reason which is withheld from the reader for far too long considering it turns out to be irrelevant. Though section titles indicate that the bulk of the action happens over a three-day period, with a denouement weeks later, it feels like much longer. Once you’ve got a murder mystery plot, you can only spend so much time inside people’s heads, going over the same ground.
This 24-year-old writer needs to rein in the prose and crank up the plot. We’ll be watching.Pub Date: Aug. 1, 2017
ISBN: 978-1-5011-4437-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kathy Reichs
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by Kathy Reichs
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