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IN THE IMAGE

Earnest but immature: a story that’s thoroughly well-intended but that generates too little drive or drama to rise to the...

A somewhat slack debut about a young woman who comes to terms with death, love, and history.

Leora is a nice Jewish girl from no place special (well, New Jersey), and her childhood is typical of any middle-class suburban girl’s in its events and aspirations. Perhaps it’s this very ordinariness that drives her interest in her religion; or perhaps it’s the fact that her best friend Naomi died while they were both sophomores in high school. Leora writes for the school paper and goes off to college, where she is exposed for the first time to people from very different places and backgrounds than hers. She falls in love with Jason, a nonobservant Jew who likes to work with the elderly. She also becomes friends, sort of, with Bill Landsmann, who was Naomi’s grandfather. Bill grew up in Vienna and fled the Nazis as a young man—first to Amsterdam, then New York. Naomi’s great-great-grandmother Leah, on the other hand, grew up near Kiev and settled in New York around the turn of the century. When Leora finishes college, she moves to Manhattan, takes an apartment on the Upper West Side, and finds work as a magazine reporter. She has long since broken up with Jason but runs into him one day in the Matzoh aisle at Costco and learns that he married an Orthodox Jew and now works in his father-in-law’s diamond business. This is something of a shock for Leora, but later, at a Spinoza conference in Amsterdam, she meets Jake, a history professor from Columbia. Jake tracks Leora down once he’s back in Manhattan and asks her out. Eventually, he buys her a diamond—from none other than Jason.

Earnest but immature: a story that’s thoroughly well-intended but that generates too little drive or drama to rise to the next level.

Pub Date: Sept. 1, 2002

ISBN: 0-393-05106-4

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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