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THE FLIMFLAM MAN

From Beard (The Pumpkin Man from Piney Creek, 1995), an easy-to-read tale based on a true incident that the citizens of Wetumka, Oklahomain a classic case of making lemons into lemonadestill celebrate with an annual ``Sucker Day.'' When F. Bam Morrison steps out of his turquoise blue Chevy and announces that he's the advance man for Bohn's United Circus Shows, the whole town of Wetumka rushes to buy ticketsall but crotchety ol' man Swank, who snorts that Morrison is only a flimflam man, a two-faced weasel. To Bobbi Jo Hailey, 10, and her friend/rival Clara Jean, Morrison is a true marvel, offering Bobbie Jo advice on how to lose her stutter, exchanging ``free'' tickets for meals and other amenities, wowing the ladies with his grand manners, and smoothly selling circus program ads. Ol' man Swank is right, though; Morrison has the grace to apologize to Bobbie Jo before making his escape. The people of Wetumka make the best of it, deciding that if they can't have a circus, at least they can have a parade. Side plotsboth girls belong to single-parent families, and Clara Jean's father is an alcoholicweigh the story down but don't sink it; flashily dressed and positively glowing with trustworthiness, Morrison cuts a genial figure in Christelow's comfortably casual black- and-white drawings. (Fiction. 9-11)

Pub Date: March 25, 1998

ISBN: 0-374-32346-1

Page Count: 85

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

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RETURN TO SENDER

Though it lacks nuance, still a must-read.

Tyler is the son of generations of Vermont dairy farmers.

Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.

Though it lacks nuance, still a must-read. (Fiction. 9-11)

Pub Date: Jan. 13, 2009

ISBN: 978-0-375-85838-3

Page Count: 240

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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