A terrific read-aloud; each repeat visit will ensure gleeful participation, as readers practice both tone and volume. A...
When a well-meaning octopus helps his buddy to bed, silliness ensues.
It’s “Bedtime ahoy” on this plump, little tugboat with Yellow Submarine–like appeal. Accordingly, the mates aboard—a good-natured boy and his cephalopod steward—begin their bedtime ritual. Octopus makes a warm bath. “Thank you, Octopus,” the boy says happily, until he realizes it’s a tub full of egg salad! “Gross! No thank you, Octopus,” the child firmly states. Wanting to make amends, Octopus offers more help and hilarity as he reinterprets the bedtime routine: Undies land on the Statue of Liberty, teeth receive a (paint) brushing, and the monsters under the bed? They’re now in the closet. Farrell’s playful illustrations, done in pencil and colored in a warm pastel palette, are appealing and hip. There is a meditative energy to his lines that perfectly captures the allure of the sea, and his use of word bubbles, patterning and quirky humor are reminiscent of an indie comic. In the end, the tables are turned, as the courteous kid extends a bear hug (given by an actual bear!) to Octopus. The best buddies say good night to each other—and to the bear, their dirty socks and the monsters in the closet.
A terrific read-aloud; each repeat visit will ensure gleeful participation, as readers practice both tone and volume. A maritime—and bedtime—delight. (Picture book. 3-6)Pub Date: June 12, 2014
ISBN: 978-0-8037-3438-8
Page Count: 40
Publisher: Dial Books
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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