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STORY OF THE MONGOLIAN TENT HOUSE

Name: STORY OF THE MONGOLIAN TENT HOUSE
Author: Dashdondog Jamba
ISBN: 978-1-937786-81-6

by Dashdondog Jamba ; adapted by Anne Pellowski ; illustrated by Beatriz Vidal ‧ RELEASE DATE: April 7, 2020

Worthy of theme but lacking in execution.

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A prolific Mongolian storyteller’s original legend of how the distinctive dwelling known as the ger came to be invented.

Adapted into spare and stately English by renowned storyteller Pellowski, the story is punctuated by quarrels. Once, all living things lived peaceably in “a big house called the earth.” But fights began, and all went to find homes of their own—including a man who, being “very old” and “very intelligent,” instructs his seven sons to gather willow branches, rope, and fleeces to construct a sturdy round shelter. But the house blows down after the old man dies because his sons have ignored his command to “work together and tighten the ropes that keep our home on the ground.” Perhaps to counter the all-male cast of the narrative, Vidal adds silent feminine figures in a few scenes. However, aside from the occasional Bactrian camel or golden eagle, her grassy settings have a generic look, and though each of the sons wears a differently colored robe, in face and feature they are indistinguishable. Moreover, aside from those plain robes there are no decorations or possessions of any sort, culturally distinctive or otherwise, to be seen, and though Pellowski appends a description of how gers are typically furnished, the illustrator’s one glimpse inside shows just empty space.

Worthy of theme but lacking in execution. (Picture book. 6-8)

Pub Date: April 7, 2020

ISBN: 978-1-937786-81-6

Page Count: 40

Publisher: Wisdom Tales

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

Categories:

CHILDREN'S HISTORICAL FICTION

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THE ADVENTURES OF HENRY WHISKERS

From the Adventures of Henry Whiskers series , Vol. 1

by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017

Innocuous adventuring on the smallest of scales.

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The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.

In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).

Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)

Pub Date: Jan. 3, 2017

ISBN: 978-1-4814-6575-5

Page Count: 144

Publisher: Aladdin

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION | CHILDREN'S ANIMALS | CHILDREN'S HISTORICAL FICTION

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ELIZABETH STARTED ALL THE TROUBLE

by Doreen Rappaport ; illustrated by Matt Faulkner ‧ RELEASE DATE: Feb. 23, 2016

Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.

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Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.

This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.

Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)