There'll be no silence in the library once readers get hold of this somewhat classier alternative to Barf-o-Rama books and...
In the fine old tradition of James Marshall's Cut-Ups, Pilkey (God Bless the Gargoyles, 1996, etc.) introduces George Beard and Harold Hutchins, two usually responsible fourth-graders, as in ``whenever anything bad happened, George and Harold were usually responsible.''
Pranksters of the first order, George and Harold are finally nabbed by Mr. Krupp, the principal, whom they then hypnotize into believing he's Captain Underpants, a superhero of their own creation. Before they can stop him, he's out the window in cape and briefs, off to fight crime with Wedgie Power, taking on bank robbers, robot thieves—`` `You know,' said George, `up until now this story was almost believable!' ''—and ultimately the evil Dr. Diaper. Distracting Dr. Diaper with some ``fake doggy doo- doo,'' the boys save the planet, then hustle Krupp back into his clothes, just in time for—their next adventure, The Attack of the Talking Toilets, coming soon. Pilkey's stubby black-and-white cartoon figures appear on every page but can be animated in one chapter, thanks to ``Flip-O-Rama,'' where readers flip pages back and forth for the ``latest in cheesy animation technology.'' There'll be no silence in the library once readers get hold of this somewhat classier alternative to Barf-o-Rama books and their crude ilk. (Fiction. 9-11)Pub Date: Sept. 1, 1997
ISBN: 0-590-84627-2
Page Count: 121
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
SEEN & HEARD
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits.
Who needs dragons when there are Terrible Lizards to be fought?
Having recklessly boasted to King Arthur and the court that he’d slain 40 dragons, Sir Erec can hardly refuse when Merlin offers him more challenging foes…and so it is that in no time (so to speak), Erec, with bookish Sir Hector, the silent and enigmatic Black Knight, and blustering Sir Bors with his thin but doughty squire, Mel, in tow, are hewing away at fearsome creatures sporting natural armor and weapons every bit as effective as knightly ones. Happily, while all the glorious mashing and bashing leads to awesome feats aplenty—who would suspect that a ravening T. Rex could be decked by a well-placed punch to the jaw?—when the dust settles neither bloodshed nor permanent injury has been dealt to either side. Better yet, not even the stunning revelation that two of the Three Stooges–style bumblers aren’t what they seem (“Anyone else here a girl?”) keeps the questers from developing into a well-knit team capable of repeatedly saving one another’s bacon. Phelan endows the all-white human cast with finely drawn, eloquently expressive faces but otherwise works in a loose, movement-filled style, pitting his clanking crew against an almost nonstop onslaught of toothy monsters in a monochrome mix of single scenes and occasional wordless sequential panels.
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits. (Graphic/fantasy hybrid. 9-11)Pub Date: Oct. 23, 2018
ISBN: 978-0-06-268623-7
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)
Pub Date: Aug. 5, 2008
ISBN: 978-1-4169-3977-1
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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