An evocative, tender, character-driven coming-of-age story.
Four social outcasts turn their love of anime into fast cash at the price of their identities and boundaries in this ode to the early 2000s.
Brooke Imafidon's, Melissa Cho's, Kelly Nahas', and Maggie Hilcot’s lives change when they purchase a bootleg anime DVD. Initial shock over the feature’s sexual elements turns to fascination and entrepreneurism as they sell burned copies to classmates at their Christian boarding school. Sales success brings money as well as attention and interpersonal drama, complicated by a love triangle among the four girls. The story takes place in Forest Hills, California, a small town with a repressive, toxic culture. Bullies, cliques, and homophobic teachers represent some of the influences pushing the protagonists and others to alienation and quiet yearning. Skillful, detailed art reminiscent of the girls’ beloved genre brings the cast to life through expressive body language as well as paneling that changes in scale and perspective. One-page asides flesh out each protagonist’s backstory as well as those of background characters who have their own rich inner lives. Names and physical appearances—while somewhat obscured by the green, black, and white palette—cue ethnic diversity in the main cast, but, contrasting with the treatment of sexuality and faith, this element is not developed in any depth. This is a witty and absorbing examination of a community’s painful experiences with loneliness, queer romance, and strangely bewitching anime.
An evocative, tender, character-driven coming-of-age story. (Graphic fiction. 14-18)Pub Date: Sept. 27, 2022
ISBN: 978-1-5344-6949-5
Page Count: 224
Publisher: Atheneum
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A high-concept premise that falls short in its execution.
A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.
One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.
A high-concept premise that falls short in its execution. (Fiction. 14-18)Pub Date: Sept. 19, 2023
ISBN: 9780593327173
Page Count: 320
Publisher: Dutton
Review Posted Online: July 27, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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