Barry (Dave Barry's Only Travel Guide You'll Ever Need, 1991, etc.), syndicated humorist and author of a lot of funny books (most with his name in the title—as if there's a lot of shoddy imitation), does it again. This time he does it to the Land of the Rising Sun. The current offering beats making the trip. As Barry notes, ``flying from the United States to Japan takes approximately as long as law school.'' And the book is cheaper. This volume is full of insight into ethnic differences (it would be simpler, for example, ``to get the entire population of Tokyo to wear matching outfits than to get any two randomly selected Americans to agree on pizza toppings'') and technical similarities (``Japanese telephones work pretty much like ours, except that the person on the other end doesn't understand you''). The always cosmopolitan author, with spouse and ten-year-old son, goes to a mannerly baseball game, sits through a bit of Kabuki, attends a puzzling comedy club, gapes at sumo wrestlers, nearly views Mt. Fuji, worries about the eel shortage, sings karaoke with the worst of them, experiences almost terminal tranquility at a traditional inn, and takes a traditional bath with his traditional yakuta tied wrong. Don't confuse the first-class clowning with contemporary Japan-bashing. Barry sees things quite clearly. And, inspired by a visit to Hiroshima, there's a new, thoughtful touch of maturity. Throughout, though, Barry seeks to avoid the very real dangers of mutual understanding between nations. He succeeds admirably, with his accustomed slapstick ease. A droll, light companion to all those heavy texts that offer dreary, detailed analyses of Nippon and its people; and if your yakuta is tied wrong, the hell with it. (Line drawings by Barry throughout.)
Pub Date: Oct. 23, 1992
ISBN: 0-679-40485-6
Page Count: 272
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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