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DAVE BARRY IS FROM MARS AND VENUS

Syndicated columnist and clowning Pulitzer-nik Barry (Dave Barry in Cyberspace, 1996, etc.) is back with another series of columns, regular as an equinox and admittedly starting to strain for a decent title (``A lot of the really good ones are taken. Thin Thighs in 30 Days, for example. Also The Bible''). As any certified funster must, Barry zeroes in on little events of daily life, such quotidian subjects as lawyers, doctors, aging, marriage, Thanksgiving, O.J. Simpson, and splashing around with US Synchronized Swimming National Team One. He may be getting a little weak in the memory department. ``To be honest,'' he admits, ``I had completely forgotten that in a former life I was Mozart,'' and he's concerned about the effects of his OMBS (``Older Male Brain Shrinkage''). There are, indeed, signs of maturity: ``Booger'' jokes are scarce; they're replaced by ``poop'' jokes. Exploding toilets are covered, too. Barry expends precious shrinking brain power in rearranging the letters of proper names: Winston Churchill can yield ``Hurls Cow Chin Lint,'' he tells us. (He may be pleased to learn that his own name can be rearranged to ``Verry Baad,'' which has kind of rap flavor.) Alert readers supply him with prime fodder from diverse new sources so that he gets to label riffs with his favorite tag line, ``I am not making this up,'' and advance them with the rim shot, ``No, seriously, folks.'' They aren't seamless and certainly not weighty, but Barry's concoctions still deliver. As he says about a completely different subject (bug brains, if you must know), his humor ``is not as simple as we thought it was before we started to think about it.'' Barry remains a formidable practitioner of journalistic silliness. ``Ha!'' some readers may say. Some, differing, may retort, ``Ha ha!'' Others may simply laugh. (photos, not seen) (Author tour)

Pub Date: Oct. 1, 1997

ISBN: 0-609-60066-4

Page Count: 224

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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