Holder of a Pulitzer for funny commentary, Barry (Dave Barry Slept Here, 1989) follows the footsteps of Baedeker and Marco Polo and offers a travel book that is more current and just as useful. In a time-honored and noble tradition of comical assessments of the world away from home, Barry presents a light text, augmented with the customary cheesy charts, footnotes, and diagrams. (Maybe it's just coincidence, but the handy street-maps of Cairo, London, Berlin or Munich [one map], Vienna, Paris, and downtown Ireland all appear alarmingly similar.) There's advice on planning a trip (the author differs from his wife about packing a waffle iron), foreign languages, air travel, family travel (the best time to visit Disney World: 1962), and camping. There's a guide to all fifty states, Canada, and Mexico. Then there are also foreign countries, located in Europe. (See ``How to Use a Bidet.'') ``Most of these countries,'' Barry astutely points out, ``eventually realized the marketing advantage of not being so foreign.'' Little-known foreign fact: ``England manufactures most of the world's airline food.'' Filled with shameless fabrication (we happen to know, because we checked the road atlas we got from the insurance company, that Alaska is not in Canada, for example), but Barry's lies, like all good comedy, are emblematic of some kind of truth or other. Besides, ``you can trust us,'' he says. ``We're a guidebook.'' The title is accurate. Get this travel guide and you'll never want another. Funny stuff.
Pub Date: Oct. 1, 1991
ISBN: 0-449-90651-5
Page Count: 192
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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