Florida’s humorist laureate finds chaos and comedy in the Everglades.
Gold bars, pythons, and TikTok videos of swamp monsters add up to a hilarious Florida tale.
Jesse Braddock has a spectacularly handsome boyfriend and a darling baby girl, but she’s not feeling the happily-ever-after. Slater may look like “classic Tom Cruise,” but he’s a philanderer who’s spent most of Jesse’s trust fund, and now they’re living in a broken-down cabin in the Everglades with Slater’s videographer pal, Kark, “and ninety trillion mosquitoes. And no money.” Slater and Kark’s highest ambition is to sell a reality TV show called Glades Man, which would feature Slater taking his shirt off among the palmettos. After a close encounter with a python, Jesse is developing an ambition to take baby Willa and flee, but how? Nearby, Ken and Brad Bortle, proprietors of the failing Bortle Brothers Bait & Beer, are cooking up a get-rich scheme of their own (well, Ken’s). After seeing a viral video of Phil Teagler, an alcoholic former newspaper reporter, attempting to play a costumed character at a rich little girl’s birthday party, with dire but hilarious results, Ken has the idea of making a video of Phil playing a cryptid, which they dub the Everglades Melon Monster for its giant head (from a repurposed Dora the Explorer costume). Once that hits the sound and fury of TikTok, they’ll sell a ton of Melon Monster merch. When Ken, Kark, and Slater meet, they quickly realize they can join forces: Glades Man vs. Melon Monster. Meanwhile, Jesse has literally stumbled upon a legendary cache of Civil War–era gold bars buried in the Glades long ago. She has also run afoul of the Campbell brothers, Duck and Billy, a couple of ex-cons who, despite their childish nicknames, are mean as snakes but not as smart. In desperate need of help and a ride to Miami to consult a lawyer, she joins forces with Brad. All of those plot threads will get further entangled with Eastern European mobsters, the secretary of the interior, and a python hunter with an “emotional support boar,” among other things. Barry makes mirth of all this mayhem with his usual aplomb.
Florida’s humorist laureate finds chaos and comedy in the Everglades.Pub Date: May 2, 2023
ISBN: 9781982191337
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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