Low humor that will appeal to all those guys who keep America moving slightly off-course and to the women who love them.
The master of American poop ’n’ doody–based satire returns to the Miami Crime-a-rama scene of his debut novel (Big Trouble, 1999).
The problem with fiction is that it’s really, really hard to make up stuff as stupid as the real-life lunacy Barry routinely exposes in his humor columns. But he gives it a good try. The main targets are crumb-ball floating gambling casinos and local TV news. The Extravaganza of the Seas, a highly profitable commercial venture owned by entrepreneur Bobby Kemp, steams daily into international waters to accommodate the deep-seated need of low-income Americans to get rid of the little money they have as quickly as possible. Skippered by a reformed cocaine junky, the Extravaganza features: a free buffet that nobody touches because it’s always the same “food”; hard-luck waitresses; an evil croupier who reports to the local crime boss rather than the hapless owner; and a never-made-it rock band with orders not to distract the gamblers. And the ship has a second mission. Every now and then it heaves to on the open seas to off-load lots of cash and on-load lots of drugs, a task assigned by crime boss Lou Tarant and deeply resented by Bobby Kemp, who doesn’t make a cent on the sideline. Tarant’s relentless greed sends the ship and its load of nitwits, crooks, musicians, and slot-machine–obsessed Cuban grandmas into the teeth of hurricane Hector for an especially large pharmaceutical transaction complicated by a double-crossing coke shipper, his gang of hard-puking seasick cutthroats, a giant latex conch, a couple of wisecracking escapees from a senior center, and the deep longing of the band’s lead guitar for Fay, the pretty, long-legged, single mum waitress who is more than she appears to be. Louder than the increasing winds are the hysterical TV weather-ravings of NewsPlex Nine.
Low humor that will appeal to all those guys who keep America moving slightly off-course and to the women who love them.Pub Date: Oct. 1, 2002
ISBN: 0-399-14924-4
Page Count: 256
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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