A mishmash, but even those who don't have children and have never lived in Miami or searched for a Wi-Fi connection in the...
Another wide-ranging collection of funny essays about parenting—and "grammar, sex, camels, women, brain surgery, sex with women, how to become a professional author, airlines, Justin Bieber and death"—by best-selling humorist Barry (Insane City, 2013, etc.).
The author has made a career of chronicling his life (and those of his now-adult son and teenage daughter) in his syndicated newspaper column and several essay collections. The format is as familiar as an episode of a police procedural: Barry offers ludicrous yet authoritatively delivered advice and glumly acknowledges that following it might get you arrested. Although parenting is well-worn fodder for comedians, only Barry would coolly share his idea to install traps around his home to capture any teenage boys who would dare watch TV from the same sofa as his daughter and release the boys ("nothing more than short men") into the Everglades. The author provides useful information for parents of tweens and teens—e.g., "BFF stands for 'Best Friends Forever.' This is a term that girls my daughter's age use to describe essentially everyone they know"—as well as not-so-helpful advice on how to perform emergency first aid: "Keep the victim calm by administering several brisk facial slaps and shouting, ‘CALM DOWN, DAMMIT! DO YOU WANT TO DIE??’…When the ambulance arrives, ask the paramedics if you can operate the siren." The book is also part travelogue and part writing guide, as well as the author's detailed, pre-planned funeral program ("IX. Lucky Seat Announcement: The Audience will be instructed to look under their seats. Under one of them will be a small container of my ashes, which the audience member can take home").
A mishmash, but even those who don't have children and have never lived in Miami or searched for a Wi-Fi connection in the Israeli desert will appreciate Barry's lighthearted absurdity.Pub Date: March 4, 2014
ISBN: 978-0-399-16594-8
Page Count: 256
Publisher: Putnam
Review Posted Online: Dec. 21, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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