A motley collection to match every mood a relentless reader might have.
Celebrated editor and author Eggers (Hologram for the King, 2012, etc.) returns with his 12th—and final, he says—edited collection of pieces selected by student members of 826 National.
Eclectic is indeed the best word to describe this odd assembly. There are works of fiction (long, short), nonfiction (ditto), tomfoolery and earnestness—and a relentless sense of multiculturalism. There are selections about Guatemala, Cuba, Tokyo, Haiti, Bulgaria, Cambodia, Spain and numerous other locales—including the United States. Just about all socioeconomic classes appear, as well, but the focus is on those who are struggling. The final grim story takes place in a grim iron mine in a grim section of India, and earlier tales present the homeless, the deprived and the criminal—outliers of many sorts. There are lies and sex and violence and numerous manifestations of the notion that we are not a very good species. To their credit, Eggers and the students selected pieces from some sources that are generally off most general readers’ radar—Byliner, Storyville and even a piece from tumblr.com. But noted periodicals are represented here, as well, including the New Yorker, Paris Review and National Geographic. Though many of the authors will also be new to many readers, there is a gripping bullfighting story by Karen Russell, a spy story with a graphics feature by Jennifer Egan and a snarky explanation of a term paper assignment from the late Kurt Vonnegut Jr. There’s also an amusing tale by Nick Hornby about a bitter divorcée, a journalist who starts a column called “Bastard,” which features tales about her ex-husband. Religion appears rarely but has a prominent role in a surreal tale about a religious settlement on a West Indian island where a deep (bottomless?) hole lures some followers to take a leap of faith.
A motley collection to match every mood a relentless reader might have.Pub Date: Oct. 8, 2013
ISBN: 978-0-544-10550-8
Page Count: 512
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Sept. 27, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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