Next book

A PEOPLE’S HISTORY OF SPORTS IN THE UNITED STATES

250 YEARS OF POLITICS, PROTEST, THE PEOPLE, AND PLAY

A smug, wearisome catalogue.

Sportswriter Zirin (Welcome to the Terrordome: The Pain, Politics, and Promise of Sports, 2007, etc.) looks through the eyes of the left at the political forces shaping the history of American sports.

Americans who care little about sports probably know something about track stars Jesse Owens, Jim Thorpe and Wilma Rudolph; baseball players Jackie Robinson and Roberto Clemente; football greats Paul Robeson, Jim Brown and Pat Tillman; basketballers Bill Russell, Kareem Abdul-Jabbar and Magic Johnson; tennis giants Arthur Ashe, Althea Gibson, Billie Jean King and Martina Navratilova; boxing champions Jack Johnson, Joe Louis and Muhammad Ali; and soccer standout Mia Hamm. We know these biographies precisely because of the political stands each has taken on behalf of racial, sexual, economic or religious fair play. Even a casual sports fan knows something about the story of baseball’s Negro Leagues, the All-American Girls Professional Baseball League, the Black Power demonstrations at the 1968 Mexico City Olympics, or the all-black, 1966 Texas Western NCAA basketball champions, largely because of their still-reverberating social implications. Zirin’s purpose, then, is somewhat of a mystery. Can there be anyone besides the ghost of Grantland Rice and possibly the Chinese Olympic Committee who believe sports can be severed from politics? Chronologically, with serial entries of seemingly arbitrary length, Zirin covers all this, as well as many other, genuinely obscure tales that serve his unrelenting, Howard Zinnian take on sports history. The cast of villains includes capitalism, patriotism, Dodgers owner Walter O’Malley and executive Al Campanis, Olympic czar Avery Brundage, Don Imus, longtime Redskins owner George Preston Marshall and, of course, George W. Bush. Zirin’s selection of rebel athletes is worthy, but he does them no honor by comparing them to his political heroes—the Rosenbergs, the Jena Six—for whom he has unreserved admiration.

A smug, wearisome catalogue.

Pub Date: Sept. 1, 2008

ISBN: 978-1-59558-100-6

Page Count: 320

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

Next book

WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Next book

SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Close Quickview