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JIM BROWN

LAST MAN STANDING

A truly rounded, fully fleshed portrait of a significant 20th-century figure.

One of the greatest—and most controversial—athletes of all time gets a well-balanced biographical and historical treatment.

Jim Brown (b. 1936) is arguably the best football player in the history of the sport, a truly larger-than-life figure who may have also been the best lacrosse player ever. “From the moment he stepped onto a playing field,” writes Nation sports editor Zirin (Brazil's Dance with the Devil: The World Cup, the Olympics, and the Fight for Democracy, 2014, etc.), “the operative emotion expressed in describing Jim Brown has been reverence.” Few would argue, but as always in Zirin’s books, the playing field is only one element of the narrative equation. The author ticks all the biographical boxes—multisport star in both high school and college; tumultuous career at Syracuse, where he truly began to understand the scourge of racism; Hall of Fame career with the Cleveland Browns; up-and-down forays into Hollywood; lifelong activism—but what is most refreshing about this book is Zirin’s focus on Brown’s character, both awe-inspiring and highly flawed. Brown has spent his life fighting racism and advocating for economic and social justice for the black community, but he has also been accused of rampant misogyny and instances of violence against women. He has brought together rival gang members in his own home but also managed to shut out some of those closest to him due to stubbornness to remain on top in a “world of competing male egos and unfettered ids.” As Zirin notes, for Brown, maintaining his manhood—however he conceives of it—has been the most important driving factor of his life. Brown simply refuses to be “soft” in any way, and he is not shy about criticizing the current athletes who, writes the author, “have fumbled the baton passed to them and surrendered an awesome opportunity to affect seismic social change.” Zirin, who spent considerable time with Brown, deftly navigates this rocky terrain, providing ample room for Brown to tell his own story and for others to weigh in as well.

A truly rounded, fully fleshed portrait of a significant 20th-century figure.

Pub Date: June 12, 2018

ISBN: 978-0-399-17344-8

Page Count: 336

Publisher: Blue Rider Press

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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