Adler (Child of the Warsaw Ghetto, not reviewed, 1995, etc.) continues a series of picture books set during WW II with this true account of a young Jewish child's concealment by a family of Dutch farmers. In Ritz's potently somber watercolors, the fears of Lore Baer, only four, come through clearly, first as she sees soldiers arrest her grandfather, then when she is left with a half-Christian couple by her worried parents, and finally during her days as the ``niece'' of the Schoutens, fleeing to the next town or hiding in the barn with other fugitives whenever searchers come. So ingrained does her fear of discovery become that when her parents track her down two years later at war's end, she shyly ducks out of sight and only slowly comes to trust them again. In precise but not brutal terms, Adler briefly describes events leading up to the occupation of the Netherlands and the experiences of those who went into hiding, then brings their stories up to the present in an afterword. So real and clearly explained is Lore's anxiety that to younger readers the events that compelled it will not seem remote at all. (Picture book/nonfiction. 8-10)
Pub Date: Oct. 15, 1997
ISBN: 0-8234-1288-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)
Pub Date: April 1, 1999
ISBN: 0-15-201378-4
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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