A meditation on art and family, rich in language and feeling.
In a sweet, tender exchange, an aging English puppeteer passes his vision on to a young kindred soul.
In a nod to Carlo Collodi’s Pinocchio, the child-sized puppet old Silvester assembles one day from mismatched parts magically comes to life. He learns to talk, requesting “jam!”—and with loving care and assistance is able to walk well enough to go on excursions to the park. There, Silvester hastily dubs Puppet “Kenneth” in response to the curious query of Fleur, an observant child. Fleur’s mum has long been a fan of Silvester’s puppet theater, and the foursome gather at her cottage, where Fleur delightedly makes puppets from twigs and other found materials and entices Silvester to help her put on an impromptu show in which two lost children drive off a monster. In keeping with the narrative’s measured lightness, Stewart’s fluid brush and line work lends warm informality to the figures in her mix of tight, close-up full-page illustrations and sequential panels. Though Puppet as depicted is plainly wooden (the human cast includes varied skin tones), Fleur greets him with casual friendliness, and everyone else expresses, at most, mild puzzlement; even some boys who initially mock his gait later apologize. “Didn’t I tell you it’s a lovely world?” says Silvester to his last and greatest creation—and it is, for even though fear and tragedy are real, Almond shows readers a world that’s “shambolic and beautiful, and tentative and brave.”
A meditation on art and family, rich in language and feeling. (Fantasy. 8-12)Pub Date: Sept. 3, 2024
ISBN: 9781536239171
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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