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PRIDE OF CARTHAGE

A NOVEL OF HANNIBAL

One of the best of the current crop of historical novels, and a career-making march forward for Durham.

The Second Punic War of the third century b.c., which pitted the republic of Rome against the African empire of Carthage, is the rich subject of Durham’s latest.

As in its predecessors, Gabriel’s Story (2000) and Walk Through Darkness (2002), racial contrast and conflict bulk large—particularly in the heart and mind of Carthaginian general Hannibal Barca, who follows the example of his late father, Hamilcar, by waging ongoing war against a foe that has swallowed up innumerable lesser nations and tribes (“It is Rome’s actions I hate. It is the way Rome seeks to make slaves of all the world”). Durham’s sweeping narrative re-creates several years’ worth of crucial exploits, including Hannibal’s legendary passage through the Alps employing elephants as transport, major victories on a blood-soaked riverbank and at the pivotal battle of Cannae, strategic advances toward Rome through the territories of friendly (or conquered) peoples, and the climactic Roman triumph at Zama, conceived and led by young Roman general Publius Scipio, and followed by Hannibal’s return, emaciated and defeated, to an enfeebled Carthage. Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help the reader through some dauntingly complicated material. Nor is this novel merely a pageant: the author vividly portrays both Hannibal’s driven resolve and Scipio’s ruthless efficiency, as well as the conflicted emotions that rule several powerfully realized secondary figures. Among them are: Hannibal’s brothers and comrades-in-arms Hanno, Hasdrubal, and Mago; his gentle, stoical wife Imilce and stern, demanding older sister Sapanibal; Massyli (i.e., Numidian) prince Masinissa, impelled by his hopeless love for an unattainable woman to a perilous conflict of loyalties; and boyish Carthaginian soldier Imco Vaca, who finds his manhood on the battlefield, while losing the woman who (perhaps hopelessly) awaits his return, as the long story ends.

One of the best of the current crop of historical novels, and a career-making march forward for Durham.

Pub Date: Jan. 18, 2005

ISBN: 0-385-50603-1

Page Count: 656

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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