If the message is a little circular (“He looked free because he was free”), the yarn adds up to a competent piece of...
“I’m Spartacus.” “No, I’m Spartacus.” No such shenanigans in this rousing historical novel, where there’s no mistaking who the Thracian slave hero is.
If everyone of a certain age carries in their heads the ideal of a ripped Kirk Douglas as the proletarian hero of the first century B.C.E., fantasy maven Durham (The Sacred Band, 2011, etc.) turns in a portrait perhaps more suited to, say, Brad Pitt or Channing Tatum: “A hulk of a man, muscled as only gladiators ever are, taller than a Roman, than a Greek. His longish hair and even his eyebrows shimmer like gold in the lamplight.” Yep. He’s Spartacus, all right, and as Durham’s novel opens, in full-tilt medias res, he’s down in the gladiators’ pen plotting the first move in what will become a widespread slave revolt. By Durham’s account—and in this there’s no significant departure from what Plutarch said 19 centuries ago—Spartacus is a steely-willed but generous fellow with a secret weapon: namely, a wife with the gift of prophecy, a subject of some learned discussion as Spartacus and associates gather round the fire for strategy talks: “It seems revolts need mystics,” says the Sicilian Philon, while his ascetic leader sits far enough away from the fire to enjoy the bracing cold and think good thoughts about killing Romans with a short sword. The conversation is occasionally a little too breezy to seem period-appropriate, but that lightness of touch keeps the story moving at a steady pace toward its inevitable end—and, since those readers of a certain age will have another vision of how things will wind up, Durham wisely closes at a different moment that still embraces the horror. The set-piece battles are especially well-done, fitting given Durham’s sword-and-sorcery background.
If the message is a little circular (“He looked free because he was free”), the yarn adds up to a competent piece of historical fiction.Pub Date: May 3, 2016
ISBN: 978-0-385-53566-3
Page Count: 496
Publisher: Doubleday
Review Posted Online: Feb. 28, 2016
Kirkus Reviews Issue: March 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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