Axe’s ground-level perspective, as a free agent who is there by choice, makes much war journalism look like an aerial view...
This war correspondent’s graphic memoir packs a smart-bomb blast, as powerful as the volume is slim and elliptical.
A follow-up of sorts to Axe’s War Fix (2006, with illustrator Steve Olexa), the book doesn’t waste a word, an emotion or an image. The illustrations by editorial cartoonist Bors capture both the terror and the tedium of life in the hot spots of international terrorism. Why does Axe feel compelled to go to war? It isn’t for the money, as he scrounges together a living as a freelancer for C-SPAN, BBC Radio and the Washington Times—an assignment that opens doors more readily when confused with the Washington Post, as Axe happily discovers—while a military trade magazine subsidizes his expenses. It isn’t even for the adrenaline rush, for the author repeatedly relates that the romance of being a war correspondent (which he “hates being called”) is more of a fiction than a reality. The problem is that, having experienced the heightened reality of surprise attacks and corpses in the streets, he finds himself unfit for domesticity in America. “As boring as war can be,” he writes, “peace is much worse.” Through his narrative and Bors’s illustrations, Axe doesn’t cut a very glamorous figure, as he drifts among ever more dangerous war zones, even having his credit cards cancelled in Somalia after resisting an order from his publisher to return home from what had been classified a “level-five security risk.” Ultimately, the author wonders if “war [is] an aberration or the most basic human function, the thing we resort to when all our comforts crumble?...Had war chosen me or had I chosen it? And what did that say about me?”
Axe’s ground-level perspective, as a free agent who is there by choice, makes much war journalism look like an aerial view in comparison.Pub Date: Aug. 3, 2010
ISBN: 978-0-451-23011-9
Page Count: 144
Publisher: NAL/Berkley
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: May 1, 2010
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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