Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller

Next book

THE 6:20 MAN

What fun! This is a winner from a pro.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller

A complex, high-powered thriller that will keep the reader guessing.

Former U.S. Army Ranger Travis Devine regularly takes the 6:20 commuter train to a job he hates at Cowl and Comely, the New York firm where he is an investment analyst. He's one of many “Burners,” or interns, who slave 80 hours a week and more for low pay in hopes of not being fired at the end of the year. Devine works there to appease his father, who had despised his son’s choice to serve his country instead of immediately going out and getting rich like his two older siblings. The morning train passes by the home of Cowl, whom the Burners are making richer and richer. Passengers get daily unfettered views of a gorgeous bikinied woman at Cowl’s swimming pool. She seems oblivious to the yearning gazes of the male commuters. Then, one morning at work, Devine receives an anonymous, untraceable text saying, “She is dead.” None of his fellow Burners received it. “She” is Sara Ewes, a colleague with whom he had once had sex. How could anyone know? It was a secret because dating within the company was a fireable offense. Apparently, she had hanged herself in the building. At home, Devine has interesting roommates, including a pizza-loving, Russia-born male computer hacker; a woman who's building a dating website with phenomenal potential; and another woman who has recently graduated from law school. The Russian tries and fails to track the source of the text for Devine. More people die at the company, naturally freaking everyone out. Devine is a suspect, but a retired Army general protects him—for a price. Devine must help them unravel a secret at the company, and if he refuses, they will “send my ass right to USDB” (United States Disciplinary Barracks) for an act he had committed while in the Army. Readers will suspect nearly everyone in this fast-moving whodunit. Clues abound, like the color of a bathing suit and mysterious references to Waiting for Godot. A great line states that diversity in the high finance world looks like “a jar of Miracle Whip all the way to the bottom.”

What fun! This is a winner from a pro.

Pub Date: July 12, 2022

ISBN: 978-1-5387-1984-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

Next book

TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview