Fascinating main characters and a clever plot add up to an exciting read.
A thriller with bloody murders and plenty of suspects and featuring an unlikely partnership between two FBI investigators.
FBI consultant Amos Decker has a lot on his mind. The huge fellow once played for the Cleveland Browns in the NFL until he received a catastrophic brain injury, leaving him with synesthesia; he sees death as electric blue. More pertinent to the plot, he also has hyperthymesia, or spontaneous and highly accurate recall. On the one hand, his memories can be horrible. He’d once come home to find his wife and daughter murdered, dead in pools of blood. Later, he listens helplessly on the telephone while his ex-partner shoots herself in the mouth. On the other hand, his memory helps him solve every case he's given. Now he's sent to Florida with a brand-new partner, Special Agent Frederica White, to investigate the murder of a federal judge. Both partners are pissed at their last-minute pairing, and they immediately see themselves as a bad fit. White is a diminutive Black single mother of two who has a double black belt in karate “because I hate getting my ass kicked.” (The author doesn't mention Decker's race, but since he's being contrasted with his new partner in every way, perhaps readers are expected to see him as White. Clarity would be nice.) Their case is strange: Judge Julia Cummins was stabbed 10 times and her face covered with a mask, while her bodyguard was shot to death. Decker and White puzzle over the “very contrarian crime scene” where two murders seem to have been committed by two different people in the same place. The plot gets complex, with suspects galore. But the interpersonal dynamic between Decker and White is just as interesting as the solution to the murders, which doesn't come easily. At first, they’d like to be done with each other and go their separate ways. But as they work together, their mutual respect rises and—alas—the tension between them fades almost completely. The pair will make a great series duo, especially if a bit of that initial tension between them returns. And Baldacci shouldn’t give Decker a pass on his tortured memories, because readers enjoy suffering heroes. It's not enough that his near-perfect recall helps him in his job.
Fascinating main characters and a clever plot add up to an exciting read.Pub Date: Oct. 11, 2022
ISBN: 978-1-5387-1982-4
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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