More good fun from a master storyteller.
Motherhood is no barrier to crime busting in this clever thriller.
Mickey Gibson is an ex–crime scene tech, ex-cop, ex-detective, and a single mother of two tykes, including one who's been known to throw up on her. She works at home as an investigator for ProEye, chasing down criminals online, and she is quite good at it. Her ex-hubby, the rat, had said he wanted a big family but bugged out on her when the “daddy do list” “ruined” his weekends. Now a phone call turns her life upside down. A woman she doesn't know, ostensibly from ProEye, asks her to do some fieldwork: inventory the contents of an old mansion. The woman at first goes by Arlene, but she might really be Clarisse or Francine. In other words, “she’s a liar, plain and simple,” and she has strong motivation to get Mickey involved. Naturally, the contents of the mansion include a murder victim, a smelly corpse that had once been “a criminal on a global scale.” Mickey feels compelled to solve the crime, though she’s emphatically told “it’s not your job to solve this sucker. You’re not a cop anymore.” More murders follow as the possibility of a hidden treasure looms. Two strong, engaging women drive the complicated plot—the multitasking mom who’s compelled to solve a crime while defending against threats to her children, and the childless manipulator who has her own big-time personal issues. She—let’s call her Clarisse for now—has the best lines: “Hell, with just the right eyeliner I can rule the world,” and “Life was a shell game. The winners could just hide the truth better than everybody else.” And she has a lot to hide. In the end, the plot elements are all tied up in a neat little bow.
More good fun from a master storyteller.Pub Date: April 18, 2023
ISBN: 978-1-5387-5063-6
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: May 16, 2023
Kirkus Reviews Issue: June 15, 2023
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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