A darkly vibrant coming-of-age novel, richly textured and full of passion.
The love between two teenage boys is threatened by the homophobia of a football-mad town in this plangent romance.
Hopes’ tale follows four friends growing up in an unnamed small town in the North Carolina mountains in the 1940s: gifted athlete Vince Silvano; oddball Tilden Roundtree; everykid narrator Arden Summers; and Glen Copland, a “sissified” St. Louis transplant who stargazes and collects local flora and fauna. The boys roam the sylvan landscape surrounding a 100-foot waterfall on the Wyona River, a gorgeous but treacherous watercourse that is said to kill one every generation. Vince and Glen covertly fall in love as they start Eddie Rickenbacker High School, where Vince becomes the football team’s star quarterback. Unfortunately, the domineering football coach, who likes to toss around homophobic slurs, is Vince’s dad, and when Coach Silvano discovers the relationship, he quashes it by administering a beatdown to Vince. Tensions come to a head when Glen appears at homecoming dance and kisses Vince on the lips. Hopes’ yarn vividly portrays the fervent bond between young boys—camping out, bantering, double-daring each other into crazy stunts by the falls—with its occasional erotic undertow, and the way it fractures under the pressure of stereotypes and bigotry. His young characters are full of vigor but also experience poignant, tongue-tied confusion over their warring impulses. Hopes’ prose is intense and evocative, infusing nightmarish scenes with a mordant lyricism: “Something that was less like water than everything else was bobbing on the near side of the river, snagged on the roots of a clump of willow...The way the Wyona was treating her, it almost looked like she was alive, lifted up by the waters, then settled gently down.” The result is a gripping read with an undercurrent of elegiac yearning.
A darkly vibrant coming-of-age novel, richly textured and full of passion.Pub Date: May 23, 2019
ISBN: 9781597098939
Page Count: 203
Publisher: Red Hen Press
Review Posted Online: April 6, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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