A literal insider’s view of the troubling social warehousing function of mass incarceration.
Engrossing, intimate account of “city time,” short-term sentences served within New York’s notorious Rikers Island.
Co-authors Campbell and Shanahan term this work a “participant-observer ethnography,” noting they “experienced city time both as scholars studying it and as inmates.” They explain, “We were both arrested for protest activity and were locked up begrudgingly.” Thus, this immersive portrait acknowledges the authors’ relative privilege while exploring how such short sentences entrap many working-poor, addicted, or mentally struggling individuals in a pointless retributive cycle. Though some academic synthesis is present, the book is structured around “its authors’ personal experiences and observations of city time, organized as systematically as possible.” These aspects include not only the physically oppressive environment and endless bureaucracy and rules, but also the “social intake” provided by fellow inmates, a kind of protective institutional memory; both authors learned, and document, that “a complex and often ad hoc inmate code structures social life in countless ways.” Though prisoners’ relationships with the working-class corrections officers are equally complex, they find that “the COs inhabit a malicious, predatory, and dysfunctional social world.” Otherwise, they effectively reveal the daily grind of dormitory life, diversions of work and commissary visits, and the dire mental health care situation. Throughout, their goal is clearly to contrast the resilience of prisoners with “not just the brutality of city time but the banality, stupidity, and waste that characterize every second of it.” Noting that “the onset of COVID-19 caused considerable disruption in whatever normalcy could be said to define city time,” one author describes participating in an inmate strike for better pandemic responses that demonstrated surprising cohesion. The pair are deft and balanced collaborators, writing with academic rigor, as well as humor and compassion.
A literal insider’s view of the troubling social warehousing function of mass incarceration.Pub Date: Jan. 7, 2025
ISBN: 978-1479828999
Page Count: 336
Publisher: New York Univ.
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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