A wry sequel to The Silent Treatment (1988): here, summer jobs put high-school seniors Ricky and Nate through a mystery from the past, as well as through some timeless rites of passage. Having to clean toilets and listen to gloomy, sex-obsessed Norman the Foreman seems like a fair exchange for a free stay at Quiver Lake resort, especially with all the college women around; Nate moves into hot (and eventually successful) pursuit of a Berkeley student, but Ricky is more inclined to watch from a distance. Meanwhile, what appear to be new but genuine artifacts of the long-integrated Miwok tribe begin to turn up, and Ricky almost loses his life in a primitive deer trap. Is there still a Miwok alive in the wild? Or, as someone suggests, is it the spirit of a young Miwok who never completed his manhood ritual and is unable to find the Aimah, an anthropomorphic rock formation? Carkeet's characters are portrayed sympathetically but broadly enough to keep the story light. The climax is big and dramatic: Ricky wakes one morning to find that the whole lake has suddenly drained away, exposing not only a field of slick mud but the Aimah, with piles of warm ashes at its crotch and armpits. There's no ghost to be seen, but readers can draw their own conclusions. (Fiction. 12-15)
Pub Date: Oct. 30, 1991
ISBN: 0-06-022453-3
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
Reading like a long term paper, this dry, abstract recitation of teams and players brings neither the game nor the people who played and are playing it to life. McKissack (with Patricia C. McKissack, Black Diamond, 1994, not reviewed, etc.) opens with a chapter on basketball’s invention and original rules, closes with a look at women’s basketball, and in between chronicles the growth of amateur, college, and pro ball, adding clipped quotes, technical observations about changing styles of play and vague comments about how players black and white respected each other. The information is evidently drawn entirely from previously published books and interviews. A modest selection of black-and-white photographs give faces to some of the many names the author drops, but readers won’t find much more about individual players beyond an occasional biographical or statistical tidbit. McKissack frequently points to parallels in the history of African Americans in basketball and in baseball, but this account comes off as sketchy and unfocused compared to Black Diamond. (glossary, bibliography, index) (Nonfiction. 12-14)
Pub Date: Feb. 1, 1999
ISBN: 0-590-48712-4
Page Count: 148
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
Characterizing Ellington as ``perhaps the most important figure in American music of the 20th century,'' the author looks at the composer's personality and career, focusing especially on his musical strengths and weaknesses. Collier, who has written several books on the history of jazzincluding a longer one on the Dukeclaims that Ellington didn't have the discipline to study either his instrument or music theory and that consequently he never became a brilliant pianist, while his longer compositions lacked cohesive structure. He did have a gifted ear, however, and, in working out musical ideas with his band (his preferred method of composition), he developed a fresh, unique, instantly recognizable sound that led to a long string of hits and standards. Collier succumbs occasionally to Jazz Historians' Diseasetedious recitation of names and personnel changesbut he makes clear what most of the musicians who played with Ellington contributed in the way of special techniques or abilities, while his musical analyses are easy to follow. Brief bibliography and discography. Index not seen. (Biography. 12-15)
Pub Date: Sept. 30, 1991
ISBN: 0-02-722985-8
Page Count: 144
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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