Ginny is becoming a symbol of toddler power.
The lovable, green-skinned imp has returned following her introduction in Ginny Goblin Is Not Allowed to Open This Box (2018).
The first page establishes the fact that Ginny Goblin loves animals and that goats are among her favorites. The grinning, big-eyed toddler stands atop a similarly featured goat. The page turn reveals why goats are not good house pets: Five comical goats are wreaking havoc in a dining room. The fun begins when the narrator naively says, “Maybe if we help Ginny Goblin find a pet, she’ll stop trying to herd goats through the house.” The art perfectly complements the imaginative, absurd text, as Ginny—defying authority—tries to acquire a pet through such means as a bear trap, military tank, submarine, and rocket ship. No hermit crab or bunny for her! Just enough shiver accompanies the text and comical art’s introductions to such creatures as a kraken, a dragon, a basilisk, and a space monster. Even as Ginny is depicted doing the things she is not allowed to do, the text poses the frightful consequences: “If Ginny took her basilisk to school for show-and-tell, her whole class would turn into statues.” The text further accommodates little ones by frequently invoking the title; its tongue-in-cheek humor and clever wordplay will keep more sophisticated readers engaged. The surprise ending will elicit both a smile and a wink from all.
Ginny is becoming a symbol of toddler power. (Picture book. 3-7)Pub Date: July 23, 2019
ISBN: 978-0-544-76416-3
Page Count: 40
Publisher: HMH Books
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sure to assuage the fears of all astronauts bound for similar missions.
A genius way to ease kids into the new adventure that is kindergarten.
In an imaginative ruse that’s maintained through the whole book, a young astronaut prepares for his mission to Planet Kindergarten. On liftoff day (a space shuttle–themed calendar counts down the days; a stopwatch, the minutes), the small family boards their rocket ship (depicted in the illustrations as the family car), and “the boosters fire.” They orbit base camp while looking for a docking place. “I am assigned to my commander, capsule, and crewmates.” Though he’s afraid, he stands tall and is brave (not just once, either—the escape hatch beckons, but NASA’s saying gets him through: “FAILURE IS NOT AN OPTION”). Parents will certainly chuckle along with this one, but kindergarten teachers’ stomach muscles will ache: “[G]ravity works differently here. We have to try hard to stay in our seats. And our hands go up a lot.” Prigmore’s digital illustrations are the perfect complement to the tongue-in-cheek text. Bold colors, sharp lines and a retro-space style play up the theme. The intrepid explorer’s crewmates are a motley assortment of “aliens”—among them are a kid in a hoodie with the laces pulled so tight that only a nose and mouth are visible; a plump kid with a bluish cast to his skin; and a pinkish girl with a toothpick-thin neck and huge bug eyes.
Sure to assuage the fears of all astronauts bound for similar missions. (Picture book. 3-7)Pub Date: May 20, 2014
ISBN: 978-1-4521-1893-2
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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