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COLD STORAGE

Unlikely heroes battle a frightening fungus that could wipe out humanity in this taut, mordant thriller debut.

A long-forgotten but deadly organism stored in a deep cave becomes a chilling threat, and a retired bioweapons agent and two security guards are the only ones who can stop it.

Koepp is a very successful screenwriter (Jurassic Park, etc.) and director (Premium Rush, etc.) whose film experience is apparent in this propulsive disaster tale. In the prologue, set in 1987, two agents of the U.S. Defense Nuclear Agency, specialists in neutralizing bioweapons and the like, head for a remote Australian town where debris from the Skylab satellite fell. There, Roberto Diaz and Trini Romano find a bizarre catastrophe: An unknown fungus that mutates with spectacular speed has killed everyone in Kiwirrkurra. Diaz and Romano clean up the mess and contain a sample of the organism, which they deliver to a huge cave under the Missouri River bluffs used by the military as a highly secured storage facility. What could go wrong, right? Cut to the present, when the military has sealed the lowest sublevel of the cave, where the fungus is, and sold the rest of the space to a self-storage company. Add a little climate change to raise the underground temperature, and the novel kicks into high gear. Koepp keeps a tight focus on three characters: Diaz, who is called out of retirement to handle the situation secretly, and two guards at the storage facility. Travis “Teacake” Meacham is an ex-convict trying to get his life back on track. Naomi Williams is a college student with two jobs and a sweet little daughter she’s raising as a single mother. When the two try to track down an unfamiliar warning signal going off in the facility, they find a nightmare. Koepp builds a tight plot as the three race against time and the fungus, a fictional but all-too-convincing monster of an organism that, if it escapes, could bring on global extinctions. Roberto, Travis, and Naomi are engaging, believable characters. Koepp is skilled at sharp, often humorous dialogue, and Roberto’s discovery of the physical barriers to being a hero at age 68 is both darkly funny and an effective source of suspense.

Unlikely heroes battle a frightening fungus that could wipe out humanity in this taut, mordant thriller debut.

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-291643-3

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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