William Edward Burghardt Du Bois (1868-1963) has finally found a Boswell worthy of his achievements as an African-American reformer who fought for human rights in the US and the wider world. In the first part of a projected two-volume biography, Rutgers history professor Lewis (The Race to Fashoda, 1988, etc.) offers a detailed chronicle that puts the eventful origins of a towering figure clearly in the perspective of his troubled times. Born in western Massachusetts less than three years after the abolition of slavery, Du Bois managed to earn a doctorate in history from Harvard. After graduating, he pursued one of the few careers open to educated blacks, that of teaching—at Atlanta University and other institutions. Meanwhile, he published pioneering sociological studies (The Philadelphia Negro, etc.), arranged symposiums, and helped found the Niagara Movement—an all- black group that in 1909 joined forces with liberal whites to form the NAACP. Du Bois left academe to become the NAACP's director of research and publicity as well as editor of its influential magazine, The Crisis. From this bully pulpit, he battled for racial justice; conducted intellectual inquiries (among other matters, on the talented-tenth theory); critiqued the views of rivals like Booker T. Washington (``the great accommodator''); and otherwise played to the hilt the role of outside agitator (he was active in the Pan-African cause as well). Here, he's last seen after a post- WW I congress that called for direct League of Nations supervision of German colonies in Africa, as he himself returns to a society that brutally and methodically excluded ``his people from meaningful citizenship....'' A masterly appreciation of a great man's intellectual development and singular service in a righteous crusade. (Thirty- two pages of photographs—not seen)
Pub Date: Oct. 29, 1993
ISBN: 0-8050-2621-5
Page Count: 700
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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