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SONGS FOR OTHER PEOPLE'S WEDDINGS

Much like a good love song, this story demands to be felt.

A Swedish wedding singer struggles with his love life when his girlfriend moves to America.

J is a “somewhat successful Swedish singer-songwriter. If you live outside of Sweden, it’s unlikely you’ve heard any of his songs on the radio…unless you are one of the bookish, folkish sort who listen to bookish, folkish stations that play bookish, folkish ditties.” Because he wrote a song called “If You Ever Need a Stranger (to Sing at Your Wedding),” he’s started a lucrative side hustle singing at the weddings of mostly strangers (and a few friends). But he’s a unique sort of wedding singer—instead of simply singing covers of popular songs, he writes an original song for each couple. His own love life, though, is complicated. His girlfriend, V, works for a buzzy startup that requires her to move to New York. J, used to being the one who leaves for tours and gigs, is at loose ends without V around, and their communication suffers with an ocean between them. When he gets a wedding gig in New York, he eagerly hops on a plane, only to find that V is not so eager to see him. As his relationship goes through a slow and painful breakdown, J continues playing weddings—some for people who are truly in love, and some for couples whose foundations are built on shaky grounds. Through it all, he keeps writing original songs for each couple, even as the lyrics are suffused with his own heartbreak. The concept is immensely clever: The story is written by Levithan, best known for his YA work, with original songs written by Swedish singer-songwriter Lekman, also a part-time wedding singer—and who actually wrote a song called “If You Ever Need a Stranger (to Sing at Your Wedding).” As J plays wedding after wedding, emotions take center stage. The languid pace fits J’s quest to find out if love really can conquer all, if marriage even matters, and if there’s any hope for his relationship with V.

Much like a good love song, this story demands to be felt.

Pub Date: Aug. 5, 2025

ISBN: 9781419778124

Page Count: 320

Publisher: Abrams

Review Posted Online: May 29, 2025

Kirkus Reviews Issue: July 1, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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