Much like a good love song, this story demands to be felt.
A Swedish wedding singer struggles with his love life when his girlfriend moves to America.
J is a “somewhat successful Swedish singer-songwriter. If you live outside of Sweden, it’s unlikely you’ve heard any of his songs on the radio…unless you are one of the bookish, folkish sort who listen to bookish, folkish stations that play bookish, folkish ditties.” Because he wrote a song called “If You Ever Need a Stranger (to Sing at Your Wedding),” he’s started a lucrative side hustle singing at the weddings of mostly strangers (and a few friends). But he’s a unique sort of wedding singer—instead of simply singing covers of popular songs, he writes an original song for each couple. His own love life, though, is complicated. His girlfriend, V, works for a buzzy startup that requires her to move to New York. J, used to being the one who leaves for tours and gigs, is at loose ends without V around, and their communication suffers with an ocean between them. When he gets a wedding gig in New York, he eagerly hops on a plane, only to find that V is not so eager to see him. As his relationship goes through a slow and painful breakdown, J continues playing weddings—some for people who are truly in love, and some for couples whose foundations are built on shaky grounds. Through it all, he keeps writing original songs for each couple, even as the lyrics are suffused with his own heartbreak. The concept is immensely clever: The story is written by Levithan, best known for his YA work, with original songs written by Swedish singer-songwriter Lekman, also a part-time wedding singer—and who actually wrote a song called “If You Ever Need a Stranger (to Sing at Your Wedding).” As J plays wedding after wedding, emotions take center stage. The languid pace fits J’s quest to find out if love really can conquer all, if marriage even matters, and if there’s any hope for his relationship with V.
Much like a good love song, this story demands to be felt.Pub Date: Aug. 5, 2025
ISBN: 9781419778124
Page Count: 320
Publisher: Abrams
Review Posted Online: May 29, 2025
Kirkus Reviews Issue: July 1, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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