These close encounters are better seen than read.
An alien encounter keeps a woman hoping to recapture a magical moment all her life.
One night Heather sneaks off into the woods with a flashlight, sitting on Wonder Rock and “hoping that someone out there would see her light.” When something arrives, it comes in an explosion of bright colors, flashing lights, and glowing particles. From a flying saucer emerges a friendly creature who looks like a giant spoon. Heather draws a picture for it before she retreats to her family. For the rest of her life, Heather returns to Wonder Rock, hoping for a reunion but growing disenchanted. It’s not until she is “an old lady” who has “nearly lost all hope, as people do,” that the ship returns to, predictably, teach her that the family she has raised is the magic she was always seeking. Litchfield’s slightly mournful story is punctuated by moments of thrilling escape, none more lovely than a single page of Heather’s “off / and on” flashlight vigil, laid out as nine panels that go from giddy anticipation to disappointment to sudden fear, a technique deployed again when Heather is old. But the text does not rise to the level of enchanting artwork, falling flat with tired clichés and concluding with a thud. As with the crayon pictures that Heather uses to communicate with the ET, some ideas don’t need words. Heather presents White; her family is interracial.
These close encounters are better seen than read. (Picture book. 4-7)Pub Date: Sept. 8, 2020
ISBN: 978-0-358-35953-1
Page Count: 40
Publisher: Clarion Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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