by David Macaulay with Sheila Keenan ; illustrated by David Macaulay ‧ RELEASE DATE: Sept. 10, 2013
Even readers who received fastidious toilet training and admonitions against potty humor will let down their guard and find...
A perfect blend of humor and clarity—in text and in artwork—explains the anatomy of human waste, the mechanics of a flush toilet and the subsequent treatment of waste in septic and sewer systems.
Cartoony images of three toilet bowls—one being used by a thirsty, shaggy dog, one surrounded by a somber family with a dead pet goldfish, and one heaped with flowers, shown outside a home—adorn the first page of the book, along with this opening sentence: “Everybody knows what a toilet is for.” Genius Macaulay, with Keenan’s (unspecified) assistance, continues this tongue-in-cheek romp with clever drawings as he also carefully discusses such scientific facts as the function of bacteria in breaking down waste; the physics behind the tank, the bowl and the siphon; and the role of wastewater treatment plants in the overall water cycle. Cutaway views aid in showing exactly how various systems work, while unique visual angles of everything from human organs topped with eyeglasses to a bird’s-eye view of a bustling city encourage viewers to venture beyond reading literacy to art appreciation.
Even readers who received fastidious toilet training and admonitions against potty humor will let down their guard and find this book both informative and entertaining. (glossary, resources, index, author’s notes) (Informational early reader. 7 & up)Pub Date: Sept. 10, 2013
ISBN: 978-1-59643-779-1
Page Count: 32
Publisher: David Macaulay Studio/Roaring Brook
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: April 5, 2016
Thought-provoking and charming.
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A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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SEEN & HEARD
BOOK TO SCREEN
by Mae Respicio ‧ RELEASE DATE: June 12, 2018
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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