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A GOOD AMERICAN FAMILY

THE RED SCARE AND MY FATHER

A cleareyed, highly personal view of a dark chapter in American history.

The Pulitzer Prize–winning journalist places his father at the center of an absorbing history of American political and cultural life in the 1940s and ’50s.

Elliott Maraniss was a journalist and newspaper editor from the time he was a student stringer for the New York Times to his last executive position at Madison, Wisconsin’s Capital Times. Famed Washington Post editor Ben Bradlee called him “a great editor.” Maraniss (Once in a Great City: A Detroit Story, 2015, etc.), an associate editor at the Washington Post, praises his father as “inspirational, level-headed, and instinctive about a good story.” His long career, though, was derailed and undermined by the Red Scare. In 1952, he was called before the House Un-American Activities Committee after an informant named him as a communist. Elliott attested to his patriotism: He had enlisted in the Army after Pearl Harbor and rose to become a captain, leading an all-black company—the military was segregated—and receiving an honorable discharge. Nevertheless, HUAC’s accusations were not unfounded: Elliott, along with his wife and brother-in-law, had been members of the Communist Party, dissenters, the author writes, “who believed the nation had not lived up to its founding ideals in terms of race and equality.” Frustrated, “they latched onto a false promise and for too long blinded themselves to the repressive totalitarian reality of communism in the Soviet Union.” Drawing on considerable archival sources, family letters, and his father’s articles, essays, and editorials, Maraniss creates a sensitive portrait of a man who was “young and brilliant and searching for meaning”; whose leftist political perspective was never at odds with his patriotism; and whose optimism never failed him as he confronted considerable professional obstacles. FBI investigations led to his being fired repeatedly. He uprooted his family to five different cities in the five years after his HUAC appearance until he landed a job in Madison and, with a changing political climate, finally was free of persecution.

A cleareyed, highly personal view of a dark chapter in American history.

Pub Date: May 14, 2019

ISBN: 978-1-5011-7837-5

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: Feb. 3, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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