by David Maraniss ‧ RELEASE DATE: April 25, 2006
A nuanced, expertly written life of much more than a sports hero.
Roberto Clemente wasn’t the best baseball player ever, but he was a great one—and one absolutely necessary for his time and his team.
So claims Washington Post editor Maraniss (They Marched Into Sunlight, 2003) in this agile biography of the immutably proud Clemente, who wore his anger and sense of injustice as a badge of honor, certain that he and his fellow Latino ballplayers were undervalued and exploited. He complained of the sports press, for instance: “They have an open preference for North Americans. Mediocre players receive immense publicity while true stars are not highlighted as they deserve.” He wasn’t thinking selfishly only of himself, but of Orlando Cepeda, Juan Marichal, Julio Roubert and other players who had just crossed a sometimes double color line—not just against blacks, but against just about anyone whose first language was not English. Clemente distinguished himself as a baseball player, going to heroic lengths for the Pittsburgh Pirates (though he really wanted to play for the Brooklyn Dodgers), with whom he spent his entire professional career (1954–72). Clemente’s extraordinary performance in the 1960 World Series is the stuff of legend, with the Pirates beating the Mickey Mantle/Roger Maris–era New York Yankees, and Maraniss delivers an exciting reconstruction. He is clearly at home with the workings of the game, and his account of Clemente’s ability to judge whether a bat was any good from the way it sounded (he was also an amateur woodworker) will please anyone who remembers the pre-aluminum days. Yet Maraniss scores a double play by tracking Clemente’s evolution as a social force: The ballplayer indeed helped break down racial barriers, and was a humanitarian and philanthropist to boot. It seems that Clemente could have played until he was 100, but he died in a plane crash while delivering aid to victims of the 1972 earthquake that shattered Nicaragua.
A nuanced, expertly written life of much more than a sports hero.Pub Date: April 25, 2006
ISBN: 0-7432-1781-0
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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