by David Maraniss ‧ RELEASE DATE: Oct. 1, 1999
From the myth of this model of order, loyalty, and victory, Maraniss has fashioned a richly complicated counter life of a...
Though his subjects could not seem more different, Pulitzer Prize-winning Washington Post reporter Maraniss finds in Green Bay Packer coach Vince Lombardi as compelling and paradoxical a leader as Bill Clinton (First in His Class, 1995).
Like prior biographies, such as Michael O’Brien’s Vince (1987), Maraniss’s covers Lombardi’s childhood as the son of a Brooklyn butcher, college playing career as one of Fordham’s “Seven Blocks of Granite,” apprentice coaching at a small New Jersey high school called St. Cecilia’s, West Point, and the New York Giants, the five championships with the Packers in the ‘60s, and the last year with the Washington Redskins before dying from colon cancer in 1970. What else can be written about a coach who seemed to symbolize the best and worst of professional sports? As it turns out, quite a bit. Maraniss’s coach is less self-confident than the martinet of myth, more aware that his rage, while the source of his success, is also sinful and self-destructive. Lombardi could play that father figure more convincingly to his locker room band than he could with his wife, a secret drinker, and his children, whom he neglected. Frightened by the anarchy he saw in the late 1960s, he became a favorite of businessmen and conservative Republicans because of his belief that sports build character. His private actions might have surprised his admirers, however. On the negative side, he was not afraid to ask John Kennedy (whom he warmly supported) to defer stars Paul Hornung and Ray Nitschke from active duty in the army. More positively, he practiced quiet toleration, both of blacks and gays. In addition, Maraniss sensitively analyzes the influence of the coach’s zealous Catholicism on his work, and paints extraordinarily vivid tableaus.
From the myth of this model of order, loyalty, and victory, Maraniss has fashioned a richly complicated counter life of a sports icon committed to and consumed by the quest for perfection. (First serial to Vanity Fair)Pub Date: Oct. 1, 1999
ISBN: 0-684-84418-4
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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