In a departure from his superlative police procedurals (Cold Bones, 2019, etc.), Mark produces a stand-alone psychological...
A lifetime of secrets is slowly revealed in this intricate look into past murders and present-day guilt.
October 1967 finds Cordelia Hemlock lonely and grief-stricken in the remote area of the Scottish borderlands hard by Hadrian’s Wall, mourning her young son who recently died. While lying in a cemetery one day, she’s approached by Felicity Goose, a local woman destined to become her lifelong friend. Cordelia and her rarely seen husband bought a house in the area where they were raising Cordelia's son, Stefan, the product of a short-lived university affair that could never end in marriage. Instead, Cordelia accepted an offer of support for Stefan and herself from a gay, highly placed government official who needed a wife for cover. The area residents’ dismissal of Cordelia as a snob has softened since she lost her child. Now, when a sudden storm catches the two women in the graveyard, a lightning strike fells a tree, destroying a small crypt and revealing not only ancient bones, but the body of a much newer corpse in a dark suit. Recovering in Felicity’s house, Cordelia meets a neighbor named Fairfax Duke, who agrees to go to the cemetery to see the body Felicity doesn’t want to admit exists. When Fairfax doesn't return to Felicity's house, it turns out that he's been killed in a car crash. The other body has disappeared, but the police ask no questions, so Cordelia finds a new purpose in life investigating what she assumes is a murder. Since the death of his son in World War II, Fairfax had never stopped asking questions and writing the stories of everyone in the area who would talk to him, and now he’s left a rich lode of information for Cordelia. Many of the people he interviewed are local, but some just never left the area after being released from a POW camp during World War II. As the story shifts from the 1960s to 2010, appalling secrets come to light, putting Cordelia in jeopardy while changing her life in unimaginable ways.
In a departure from his superlative police procedurals (Cold Bones, 2019, etc.), Mark produces a stand-alone psychological thriller, character-driven but with plenty of bizarre twists, that’s sure to please fans of Catriona McPherson.Pub Date: June 1, 2019
ISBN: 978-0-7278-8872-3
Page Count: 304
Publisher: Severn House
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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