by David McPhail & illustrated by David McPhail ‧ RELEASE DATE: March 27, 2012
Good intentions; confusing execution.
The love of an ancient tree leads a boy to unlikely activism.
When the pioneers cleared the land to settle the western wilderness, one young man decided to leave one special tree standing to shade his new home. The years go by, and the land is further developed, but the tree remains, until a proposed highway threatens it. The great-grandson of the original settler calls on animals to help save the tree. Young environmentalists will cheer when the tree is saved, and they will enjoy the family story. McPhail’s familiar watercolor-and-ink spreads capture the bucolic setting, especially effective when showing the wide swath of cleared land while the oxen are helping to build the house. Right from the start, though, the tone of the book is muddled by confusing and redundant graphic elements. Speech bubbles seem oddly out of place in the 1800s, especially when the main character is speaking to no one and the narration is clear and complete. The final illustration shows the boy, triumphantly swinging from his beloved tree—but the proximity of the new highway and the vehicular traffic makes this victory seem hollow at best. The graveyard at the right edge seems to indicate the fight against progress may be futile. Classes studying ecology and activism might find something to discuss here.
Good intentions; confusing execution. (Picture book. 5-8)Pub Date: March 27, 2012
ISBN: 978-0-8050-9057-4
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by David McPhail ; illustrated by David McPhail
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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