Mikics has done a fine job uncovering how Bellow made art out of life, and he has given us a new way to approach that art.
How to access the novels of Saul Bellow (1915-2005) via the people he knew and loved.
Looking over the titles of Bellow’s novels, one notices how many include the names of their main characters: Augie March, Henderson, Herzog, Sammler, Humboldt, and Ravelstein. He was a character-driven novelist. As Mikics (English/Univ. of Houston; Slow Reading in a Hurried Age, 2013, etc.) notes in this “personal” approach to Bellow’s novels, he stayed true to what he saw as the “novelist’s highest purpose: to make people he had known and loved even more real, and more lasting.” Sure, every novelist draws upon real-life people for characters, but, Mikics argues, few “have ever given us such a wealth of…funny, passionate, overwrought people.” He feels Bellow rivals even Dickens in his “power to locate us through observation, to explain how appearances tell who we are.” Mikics selects 10 people who were important in Bellow’s life—friends, family, wives, sworn enemies—to show how each influenced his portrayals of some of his “pungent, unforgettable personalities.” Morrie, his older brother, shows up as Simon in that “explosive, shaggy picaresque” that is The Adventures of Augie March. Bellow made him a “rough apostle of life” instead of the “thwarted ogre that Morrie actually was.” Two of Bellow’s best friends make appearances in Henderson the Rain King. The African King Dahfu is Isaac Rosenfeld, who died young, while Chanler Chapman, who was also for a while his landlord, is Eugene Henderson. Chapman “lived in the present with gusto, never plagued by the shadows of failure that clung to Rosenfeld.” Mikics also shows how in Herzog, Bellow fictionally dealt with his wife Sondra’s affair with his good friend Jack Ludwig. Such literary lights of the time as Delmore Schwartz and Allan Bloom make appearances as Humboldt and Ravelstein.
Mikics has done a fine job uncovering how Bellow made art out of life, and he has given us a new way to approach that art.Pub Date: May 24, 2016
ISBN: 978-0-393-24687-2
Page Count: 240
Publisher: Norton
Review Posted Online: Feb. 27, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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