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MY FRIEND LUCKY

A deceptively simple exploration of opposites, illustrated by the relationship between a boy and his dog, Lucky. Milgrim’s (Patrick’s Dinosaurs on the Internet, 1999, etc.) cartoony illustrations depict a Charlie Brown–like round-headed boy and his genial brown dog as they demonstrate a series of opposites on succeeding double-page spreads. “Lucky gives / Lucky gets [kisses]” “Lucky’s sad / Lucky’s happy.” The two characters are surrounded by white space, with only the most necessary contextualizing details added. In the “Lucky’s hungry” picture, for instance, the viewer sees a table with a piece of cake and an excited Lucky; but when “Lucky’s full,” the dog is no longer to be seen, and the boy is left holding a carton of milk, his cake reduced to six crumbs. The “Lucky’s loud / Lucky’s quiet” spread features two nearly identical pictures of the boy doing his homework and Lucky barking (the dog’s mouth is open and little “bark” lines emerge, indicating noise)—the only difference is that in the “quiet” illustration, the boy is wearing earmuffs. Definitely not an introductory concept book, this offering clearly depends on a fairly sophisticated ability to decode the conventions of illustration. It is, however, a splendid primer in the art of visual irony, and its sly humor will have young readers chortling. It is also, of course, a love story; that the dog is not the only member of the pair who is lucky is amply illustrated on the endpapers, which reveal Lucky and his friend waking up together and then settling down for sleep in a happy heap on the boy’s bed. A winner, and not just for dog lovers. (Picture book. 4-6)

Pub Date: Jan. 1, 2002

ISBN: 0-689-84253-8

Page Count: 32

Publisher: Anne Schwartz/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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