A dry-as-dust look at the hardware that fought the cold war, by the author of more than 25 works of military history and a veteran of more than 36 years of military service. Miller, who is credited as the author of Jane’s Major Warships, is in dire need of an editor who can whip his senseless listing of weapon system after weapon system into something approaching interesting reading. Though few will argue that the cold war was won by anything other than massive defense spending, there certainly was more to the conflict than weaponry. The Cold War is billed as “A Military History,” but there is almost nothing of the historical details that would illuminate such theaters of action as Korea and Vietnam, almost nothing of the countless espionage cases or the other conflicts that brought the United States and the Soviet Union face to face, whether in actual battle or by proxy, and nothing at all of the millions who actually fought the war. Miller concentrates instead in looking at the submarines, aircraft carriers, missiles, fighter planes, bombers, tanks, and virtually every other tool in the modern major general’s arsenal. Although he describes these weapons in numbing detail, he does little to place them in the broader context of cold-war strategy, as he might have done by looking at how missile ranges affected the superpowers’ relationship with their satellites, or how submarine developments affected the brinksmanship under the seas. Despite his overwrought infatuation with technological details, Miller does offer interesting coverage of the military relationship between the superpowers and their allies, such as NATO’s division of naval duties according to traditional strengths and weaknesses. Most readers, however, will have to supply their own rationales for why, rather than how, the cold war was fought. Not a military history, a hardware history. (16 pages b&w photos)
Pub Date: Nov. 1, 1999
ISBN: 0-312-24183-6
Page Count: 498
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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