While much of this material has been covered in recent full-length biographies, Quammen’s portrait of the great man and his...
A first-rate look at the English naturalist’s career after the Beagle; part of the Atlas Books Great Discoveries Series.
Quammen (Monster of God, 2003, etc.) focuses on how Darwin arrived at his theory of evolution by natural selection. In 1836, arriving home from his voyage, he essentially had all the key facts of evolution; but it was more than 20 years before he published The Origin of Species. One factor was a mysterious stomach ailment, possibly tropical disease, possibly nerves, that dogged him for most of his remaining life. A second was the business of finding a wife and starting a family, a process that ended with him happily married to cousin Emma Wedgwood. That was a fortuitous match, despite her strong religious beliefs (Darwin was already well down the road to agnosticism); their fathers pitched in enough to support the newlyweds, with enough left over to reinvest. But a fair amount of time went to scientific work, especially Darwin’s eight-year project of classifying barnacles, which gave him, in his own mind, a solid credential to back up the theory he knew was bound to be controversial. But even with that work out of the way, he dragged his feet. He was finally roused by the arrival on his doorstep of a manuscript by Alfred Russel Wallace, in which the central elements of his theory were unambiguously spelled out. At that point, it was publish or give up his priority. Quammen gives a broad-brush account of the book’s composition and its reception; of the developments in evolutionary theory since Darwin’s initial formulation; and of the scientist’s final years.
While much of this material has been covered in recent full-length biographies, Quammen’s portrait of the great man and his magnum opus is affectionate and well-paced.Pub Date: July 31, 2006
ISBN: 0-393-05981-2
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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